Film Review – Scream (2022)

Posted in Uncategorized on January 14, 2022 by Reel Review Roundup

Scream (MA)

Directed by: Matt Bettinelli-Olpin and Tyler Gillett

Starring: Melissa Barrera, Neve Campbell, David Arquette, Courteney Cox

Rating: 4 out of 5.

Review by: Julian Wright

When horror master Wes Craven died in 2015 after 2011’s Scream 4, all hopes of another film in the popular, genre defining series went with him.

The series was one of very few examples of all key cast and crew participating in every entry, and each being of a high quality (okay, part 3 is debateable).

To continue without him seemed unimaginable.

But with the rights no longer owned by the studio run by those micromanaging executive producers (we won’t name them here), the opportunity has arisen for the torch to be passed to a team of fresh blood.

A risky move yes, but as the final product Scream (2022) has finally proven, one worth taking.

When someone in a Ghostface mask begins attacking the residents of Woodsboro 25 years after the original slayings, Sam Carpenter (Melissa Barrera) is drawn back to her hometown, a place she bolted from five years ago to escape her troubled past.

This may be uncharted territory for her and the new crew of potential victims/killers her age, but there is a trio of experts who may be able to help: Dewey (David Arquette), Gale (Courteney Cox) and Sidney (Neve Campbell), who have all since moved on with their lives after their encounter with the last knife-happy fiends.

Making the fifth in a series fresh and relevant would have been a challenge even for Craven, had he lived to have the chance to make it.

Fortunately for this series, it has become necessary to take extended breaks between visits so that the genre and society has had a chance to evolve and for fresh observations to be made.

Scriptwriters James Vanderbilt and Guy Bisick have clearly kept their finger on the pulse of the latest trends and they have something to say about it and their claws are sharp.

To their credit, Vanderbilt and Bisick, along with directing team Matt Bettinelli-Olpin and Tyler Gillett, have respectfully recreated and honoured the series, keeping the tone and flavour pitch perfect with just the right amount of nostalgia.

And they do it so astonishingly effortlessly, too. It feels like these guys have been on board since day dot of the franchise and that it is as much in their bones as it was Craven’s.

They work within the confines of the series’ structure beautifully, giving us a splendid mix of the familiar with the inventive, making their own mark with some tweaks on what is expected of the formula.

Could they have taken a bigger risk and smashed the mould? Sure, but do they deliver within the Scream blueprint? You bet!

Scream 2022 is not without its minor quibbles – the new batch of blood seem particularly less defined than previous instalments, a side effect from fleshing out the new lead character. Sam is given the appropriate modern amount of psychological trauma to wade through and grapple with as the body count rises.

There is plenty of inner turmoil and tears here.

But most importantly, the nail biting suspense and savage, eye-covering kills have made a triumphant return. Not since poor Drew Barrymore was gutted and strung up on a tree swing have we been impacted by such a shocking death.

This has the carnage candy that part 2 promised but failed to deliver on.

Just like the first one, Scream 5 is a wicked roller-coaster ride of thrills and giggles – with the added bonus of some tear jerking moments. Now that’s new for the Scream series!

Film Review – The Matrix Resurrections

Posted in Uncategorized on December 31, 2021 by Reel Review Roundup

The Matrix Resurrections (MA)

Directed by: Lana Wachowski

Starring: Keanu Reeves, Carrie-Anne Moss, Yahya Abdul-Mateen II

Rating: 4.5 out of 5.

Review by: Julian Wright

Take a deep breathe and dive in because in the grand tradition of The Matrix movies, be prepared to be left both baffled and in awe.

While struggling with his mental health, video game designer Thomas Anderson (Keanu Reeves) is forced to revisit the revolutionary hit game trilogy The Matrix he created several years ago.

But his grasp on reality is beginning to slip.

There is already so much genius at play in the establishing scenes of Resurrections, much along the lines of Wes Craven’s New Nightmare – the meta, self-referential set-up, the commentary on brand revival and market research based decision making over creativity. In doing so, co-creator Lana Wachowski takes explicit swipes at Warner Bros, the studio behind this brand resurrection, who were purportedly going to go ahead with a fourth film without the Wachowskis’ input.

Lana is boldly unwilling to pander to the fans with a boring rehash for the sake of some cash and a hit of nostalgia, instead taking this opportunity to take control over her creation and use it to explore some life altering events that have happened to her since the last Matrix film was made.

Be warned, Resurrections gets dense. The more the characters talk, the more ideas are raised and explored, and at times it can be tricky to juggle them all at the same time. This is the only thing that Resurrections is consistent with in regards to the rest of the franchise.

While the action sequences are satisfying, there is nothing that could be considered iconic, like the original two films (Trinity’s introduction, the freeway chase sequences). In fact, this seems to be the part that Lana is the least bit interested in. Her focus here is to give you time and space to ponder her thesis and amp up the sincerity of the love story.

As per the previous films, the scenes set in Zion are the least invigorating, where the chit chat slows the pace down. But it isn’t even just a thirst for action that makes these sequences drag, it is a space in which possibilities are limited. Exploring the Matrix is such a thrilling experience because almost anything can happen there.

The Matrix Resurrections will not be the long awaited rehash sequel that fans have been clambering for – but what we have been given is the gift of one of the most inventive, thought provoking and personal big budget blockbuster films in existence.

Film Review – Benedetta

Posted in Uncategorized on December 31, 2021 by Reel Review Roundup

Benedetta (MA)

Directed by: Paul Verhoeven

Starring: Virginie Efira, Charlotte Rampling, Daphne Patakia

Rating: 4 out of 5.

Review by: Julian Wright

The story of a nun’s sexual awakening in the hands of provocateur Paul Verhoeven? Buckle in because you just know that you are going to witness things that others have not had the audacity to show on film before.

In Italy during the 17th century, Benedetta (Virginie Efira) dedicates her life to the Catholic religion and becomes a practicing nun in a small convent in Tuscany.

She has always felt an affinity with the Virgin Mary, even from a very young age, and as an adult, has intense dreams about her “husband” Jesus (Jonathan Couzinie) – it is as if religion is in her veins.

But when Bartolomea (Daphne Patakia) arrives at the convent to escape her abusive husband, the two embark on an intensely sexual relationship and indulge in some eye-opening sex-play in secret.

Meanwhile Benedetta begins to show signs of Stigmata, which the Reverend Mother (Charlotte Rampling) questions.

Highlighting the hypocrisy, corruption and restrictions that are rampant in religion, Verhoeven paints some broad strokes as he sexes up the screen once again. This features Verhoeven’s signature bold and in your face theatrics, letting the camera capture what other, more prudish directors, would shy or cut away from – but this also has genuine humour sprinkled in among the lurid and exploitative elements.

What happens to a small, wooden Virgin Mary statue will definitely raise eyebrows.

And as per usual, Verhoeven has collated a fine cast who are up for the task of delivering fine performances to ground the wildly outrageous material, especially when it threatens to go into full Showgirls trash territory.

Perhaps Verhoeven has some more pointed commentary he is trying to make – it is possible I was too caught up in the taboo imagery he is showing us (it’s hard not too!) to decipher, but the fact that I have not been able to shake this film in the several weeks since seeing it is a testimony to his film making skills.

Sure he likes to shock and provoke, but to still be able to after so many decades is impressive.

Benedetta screens as part of Perth Festival Lotterywest Films, which runs until April 3, 2022.

Film Review – Spider-Man: No Way Home

Posted in Uncategorized on December 19, 2021 by Reel Review Roundup

Spider-Man: No Way Home (M)

Directed by: Jon Watts

Starring: Tom Holland, Zendaya, Benedict Cumberbatch

Rating: 4.5 out of 5.

Review by: Julian Wright

Fan service packs an emotional punch in this epic finale to the Tom Holland-led Spider-Man trilogy.

Now that Spider-Man’s true identity has been revealed (as per Spider-Man: Far From Home’s cliffhanger), Peter Parker (Tom Holland) finds that his life, and the lives of those he loves, is impacted even further.

The entire world is now watching the awkward teenager as he tries to live a normal high school life, he and his family are interrogated by the Department of Damage Control and his friend’s MJ (Zendaya) and Ned (Jacob Batalon) applications to colleges are immediately rejected.

Peter turns to Dr Strange (Benedict Cumberbatch) for help, but a spell to make people forget that he is Spider-Man is corrupted, which brings in villains from alternate universes.

Bringing in characters from past iterations of the big screen Spider-Man stories appears to be blatant fan service at first – let’s face it, everyone loves a good easter egg and a call-back these day – but writers Chris McKenna and Eric Sommers and director Jon Watts take care to make sure they are woven into the story to be an intricate part of it.

This isn’t nostalgia for the sake of nostalgia and the chance to please a bunch of fanboys with a quick cameo or six – they begin to impact Peter’s emotional state, help him discover things about himself and challenge others. They also, in turn, get their own moments to develop and grow – and interact with each other once again or for the first time, with great emotional resonance.

Without giving too much away, some of these moments are cinematic highs that even the most casual superhero viewer can appreciate.

No Way Home evokes memories of when The Avengers finally brought all the Marvel superheros, established in their own individual films, together and the satisfaction that they all had equal screen time, had opportunity to contribute to the story and were allowed their moments to establish pathos among the word-saving.

It is a sensationally satisfying ride of action, humour and most importantly emotion that is sure to make even the most fatigued cinema-goer fist pump the air and shed the occasional tear.

Film review – Ghostbusters Afterlife

Posted in Uncategorized on December 19, 2021 by Reel Review Roundup

Ghostbusters Afterlife (M)

Directed by: Jason Reitman

Starring: Paul Rudd, Mckenna Grace, Carrie Coon

Rating: 4 out of 5.

Review by: Julian Wright

A long dormant IP is resurrected from the grave for a trip down memory lane for fans and an attempt to gain new ones.  

Single mum Callie (Carrie Coon), who can barely cover the rent, inherits a dilapidated farm house in a small country so she moves her kids, awkward teen Trevor (Finn Woldhard) and the nerdy Phoebe (McKenna Grace) for a new life.

When they arrive, they begin to discover their link to the ghoul fighting Ghostbusters, who have not been in operation for many years, which for Phoebe’s science teacher Mr Grooberson (Paul Rudd) who is old enough to remember them, is quite the nostalgia trip.

But an array of Ghostbusters gadgets under the house come in handy when spooks begin to emerge.

The bright young new generation cast breathes new life into Ghostbuster Afterlife. The fact this story is led by a nerdy young girl is a step in the right direction and a nice nod to the unfairly maligned 2016 remake.

Take that, toxic man-babies!

Paul Rudd is also a delightful addition offering the most experience with comic timing and effortless charm.

But while this drips in charm and nostalgia, there is one key element that is sorely lacking – ghosts.

There is plenty of story build up, nostalgia and easter eggs for the die-hard fans, but when it comes to mischievous monsters, frisky frights and ghastly ghouls, this comes up surprisingly short.

This could have been a great opportunity to wreak some state of the art CGI havoc.

And though the small town setting is a nice switch from the concrete jungle of the past films, it does limit the amount of scope of action and antics.

Though there is some spectacular scenery captured.

Ultimately, this is a delightful blockbuster that gives you the warm fuzzies and is sure to be a crowd pleaser.

Film Review – Resident Evil: Welcome to Raccoon City

Posted in Uncategorized on December 19, 2021 by Reel Review Roundup

Resident Evil: Welcome to Raccoon City (MA)

Directed by: Johannes Roberts

Starring: Kaya Scodelario, Robbie Amell, Hannah John-Kamen

Rating: 2 out of 5.

Review by: Julian Wright

The ever popular video game series that enjoyed an equally popular film franchise gets a prequel slash reboot for the 2020’s minus the female star that helped make it a long lasting phenomenon.

In 1998, former orphan Claire Redfield (Kaya Scodelario) goes back to her tiny hometown Raccoon City as an adult just as a zombie-making disease spreads through the remaining residents.

One thing that “Raccoon City” manages to achieve that none of the other films in the franchise was ever able to, is creating a genuinely creepy atmosphere.

This starts off quite unsettling as we meet Claire as a youngster in a creepy old mansion orphanage with a mysterious figure lurking around in the dark.

In the hands of 47 Metres Down director Johannes Roberts, it is clear how this new outing manages to rattle where its predecessors, which favoured gun action and gore over chills, could not.

The rest of “Welcome to Raccoon City”, however, is a dull, repetitive rehash of what we have seen before: cardboard cut-outs carrying guns move from location to location battling zombies, and repeat.

According to gamers, the movie is beat for beat what happens in the game. Kudos I guess to the design team who have managed to re-create the scenarios authentically for the die-hard fans, but to anyone else, this would add up to very little.

Perhaps if they had spent more time trying to create a story that breaks the mould, raises the stakes or builds characters to invest in, this could have been a fun ride.

Had this been a brisk, entertaining retreat, it could have been forgiven, but this drags on for almost two hours.

Hardly the franchise reboot the studio probably hoped this would be.

But just you wait, after this under-performing attempt, there is no doubt the studio will give it a breather of a couple of years before bringing series star Milla Jovovich back to kick start it all over again.

Film Review – Venom: Let There Be Carnage

Posted in Uncategorized on December 10, 2021 by Reel Review Roundup

Venom: Let There Be Carnage (MA)

Directed by: Andy Serkis

Starring: Tom Hardy, Woody Harrelson, Michelle Williams

Rating: 3 out of 5.

Review by: Julian Wright

The bickering duo, Eddie Brock and the alien entity attached to him Venom, are back to squeeze some more mileage out of their odd couple pairing for another brisk Marvel outing.

The tension deepens between meek journalist Eddie and the bombastic alien Venom, who is hungry for human flesh – the two barely co-exist in a small apartment, but their clashing ideals and values become too much and they bicker more frequently.

Havoc ensues when Eddie is summoned to interview deeply troubled serial killer on death row Cletus Kasady (Woody Harrelson), who bites Eddie during their meeting and inherits a portion of Venom, creating Carnage, and goes on a rampage.

This is a short, sharp and entertaining time passer, with Hardy and the CGI Venom the leading force as the hero and anti-hero.

Their bickery banter takes this thinly plotted story a long way, particularly when the script also has little interest in character development. It is Hardy that continues to impress, performing well against the inky, sharp toothed ratbag.

Venom: Let There Be Carnage is designed simply as a fun ride, and as that it delivers.

However, with so many other films on the market that offer similar things, it hardly stands out from the crowd.

Film Review – Dune

Posted in Uncategorized on December 10, 2021 by Reel Review Roundup

Dune (M)

Directed by: Denis Villeneuve

Starring: Timothee Chalamet, Rebecca Ferguson, Oscar Issac

Rating: 3.5 out of 5.

Review by: Julian Wright

Frank Herbert’s book gets megabucks thrown behind it for a brand new big screen adaptation in the hands of highly acclaimed director Denis Villeneauve.

There is a lot to take in in this epic, two and a half hour journey that is one of two parts, but the basic set up is that Paul Atreides (Timothee Chalamat) is the heir of House Atreides that has become ruler of Arrakis, a desert planet that has a precious and highly powerful resource: spice.

While the tone and pace is 100 per cent Villeneuve (see the long, slow, tension filled build of Prisoners, Sicario and Arrival), Dune somehow does not reach the great heights of his past efforts.

The long stretches feel longer and sometime border on tedium, and the understated performances from an appealing cast feel less engaging.

But he sure knows how to create an epic landscape, build astonishing worlds and keep us in awe with his imaginative visual.

This really is a film made for the big screen and one should do their best to catch it at a cinema before Part Two arrives next year.

Perhaps take a shot of espresso beforehand to get you through the quieter moments.

Film Review – The Worst Person in the World

Posted in Uncategorized on November 21, 2021 by Reel Review Roundup

The Worst Person in the World (MA)

Directed by: Joachim Trier

Starring: Renate Reinsve, Anders Danielsen Lie, Herbert Nordrum

Rating: 4.5 out of 5.

Review by: Julian Wright

To describe The Worst Person in the World as 12 chapters in the life of a millennial sounds like a warning. But do not be dissuaded – this is definitely not a cookie cutter film about an indecisive 20-something whining about their first world problems.

Medical student pursuing psychology Julie (Renate Reinsve) is shacked up with settled older man and writer Aksel (Anders Danielsen Lie), who, being in his 40s, would like to start having children soon.

Julie is not ready for kids just yet and, while on a retreat with Aksel and his parent friends, is starting to feel a little pressured and also like she doesn’t quite fit in. She also doesn’t really know what she wants to do with herself in the way of a career- Aksel is focused, but Julie flits from course to course, dabbles in photography and works part-time in a book store.

She meets coffee barista Elvind (Herbert Nordrum) – who seems more of a fit for Julie – and even though they do not sleep together, sparks fly.

There is an honesty, accuracy and electricity to this brilliant film that manages to capture and depict the many feelings and emotions (often confusing and contradictory) swirling around in the mind of someone in their late 20s to early 30s. That sense of pressure to be something, finding your place in the world, the what-ifs, and the constant pursuit of happiness is encapsulated in a sharp script, brilliant direction and a splendid cast.

There is also a beauty and elegance to this film – uplifting and heartbreaking moments seem to play out in real time, allowing the characters to have space to be, exist and breathe. The sequence in which Julie and Elvind meet is a stunner. The way they interact, aware of the attraction and indulging in flirty behaviour, but consciously avoiding exchanges that would be considered cheating is the most fun and erotic meet-cute put to film.

The Worst Person in the World is a beautifully relatable experience and naturally performed with Reinsve imbuing her character with empathy – this is a must-see.

The Worst Person in the World screens as part of the Perth Festival Lotterywest Films, which runs from November 22 – April 3.

Film review – Last Night in Soho

Posted in Uncategorized on November 21, 2021 by Reel Review Roundup

Last Night in Soho (MA)

Directed by: Edgar Wright

Starring: Thomasin McKenzie, Anya Taylor-Joy

Rating: 4 out of 5.

Review by: Julian Wright

Edgar Wright turns his attention to nostalgia, mystery and murder with the nightmarish Last Night in Soho.

Eloise “Ellie” Turner (Thomasin McKenzie), who is obsessed with sixties fashion and music, leaves her small, quiet town and heads to big city London to study fashion design – her passion and future career.

Her excitement and enthusiasm soon fades when she is bunked in cramped student accommodation with mean girl Jocasta (Synnove Karlsen) and is made to feel like an outsider by her peers.

Unable to fit in, Ellie finds a small flat to call her own, rented to her by landlord Ms Collins (Diana Rigg) who has some firm rules for her new tenant.

Ellie begins to dream about young woman from the sixties Sandie (Aya Taylor-Joy), who pursues her dream of being a dancer, but falls in with the wrong manager Jack (Matt Smith), who forces her into an exploitative trade.

But Ellie is convinced Sandie was a real person, and when the visions show Sandie’s murder, Ellie suspects the murderer is still alive, and is possibly one of the elderly customers at the bar she works.

Past and present, dreams and reality are beautifully blended and blurred in this thriller/horror with co-writer/director Edgar Wright’s dash of signature humour. His use of mirrors and in-camera tricks are incredibly clever and exciting to watch.

Last Night in Soho is a visually sumptuous film, with Wright employing Chung-hoon Chung as cinematographer to lens what is now one of the most gorgeously looking horror films this year. But it is more than just aesthetics for Wright.

While Wright tends to get a little heavy handed with the delivery of his “message” in the later stages of the film, this post “Me Too” thriller provides substance with its scares and is more than just a visual feast with an adoration for the sixites.