Archive for cars

Film Review – F1

Posted in Uncategorized with tags , , , , , , , , on June 25, 2025 by Reel Review Roundup

F1 (M)

Directed by: Joseph Kosinski

Starring: Brad Pitt, Jarvier Bardem

Rating: 4.5 out of 5.

Review by: Julian Wright

“Someone call the 1990s…” a commentator says during a thrilling racing montage – an appropriate line in this loving throwback to action films of the era that had the formula down to a T.

Sonny Hayes (Brad Pitt) is a retired F1 race car driver whose heyday is long in the past (by about 30 years).

These days he lives out of a van and gambles in his spare time – of which he has plenty.

When his old mate/former F1 competitor Ruben Cervantes (Javier Bardem) is about to lose $350 million on his team of racers, he recruits Sonny to help get them a win.

With nothing to lose, Sonny joins the team, but there is immediate tension between the has-been and young hotshot Joshua Pearce (Damson Idris), and the two teammates clash over how to claim the top spot.

Meanwhile, sparks fly between Sonny and the team’s technical director Kat (Kerry Condon), who tries her best, despite his charms, to keep things professional (spoiler alert – she loses).

This Ehren Kruger scripted, Joseph Kosinski directed, and Jerry Bruckheimer produced film takes all the best and most entertaining elements of a 90s action film and repurposes them for a new audience.

With just enough plot and character outlines to hook us in, it is fuelled purely by star appeal (Pitt has never oozed more charisma), bouts of bristling banter and thrilling action sequences.

It walks that fine line of the perfect amount of plot, character development and story complications so that there is just enough substance to keep us interested, but not too much that we get bogged down and distracted from the action.

If it wasn’t for the technical advances in filmmaking, one could have easily mistaken this for a 90s video shop staple.

Kosinski gets the audience out on the track in innovative new ways, mounting the camera on the cars, and spinning them 180 degrees for a dynamic point of view among the action.

And jaw-droppingly, none of these high-stakes races appear CGI assisted.

Don’t know the first thing about F1 racing? Or any car racing in general?

No problem – F1 takes care to ensure audience members that don’t even know the difference between an automatic and a manual can still follow along, even when it pops into fourth gear.

Everything clicks in to place to deliver a hugely entertaining popcorn film in the best way.

This is the quintessential crowd-pleaser.

Film Review – Fast and Furious 9

Posted in Uncategorized with tags , , , , , , , , on June 18, 2021 by Reel Review Roundup

Fast and Furious 9 (M)

Directed by: Justin Lin

Starring: Vin Diesel, Michelle Rodriguez, Tyrese Gibson

Rating: 4 out of 5.

Review by: Julian Wright

Something something family, car chases, explosions, logic defying stunts, something something family.

Dominic Toretto (Vin Diesel) and Letty (Michelle Rodriguez) are living off the grid in isolation on a rural property raising Toretto’s son Brian, when the pair are drawn back into action with Roman (Tyrese Gibson), Tej (Ludacris) and Ramsey (Nathalie Emmanuel).

Complicating this particular mission is the presence of Jakob (John Cenea), Dom and Mia’s (Jordana Brewster) long lost brother who disappeared in 1989 after their father – a race car driver – died.

Mr Nobody (Kurt Russell) has captured hacker Cipher (Charlize Theron), but his plane is intercepted and she has been extracted so it is up to the rev heads to track her down before two halves of a powerful machine can be put back together and used to hack into every weapons system worldwide.

Now billed a “saga”, this soap opera with cars and explosions continues to be a hoot and half, so long as you are willing to be on its wavelength.

The saga, now up to its ninth installment, post Hobbs and Shaw spin-off and now Paul Walker-less, certainly has its brand and formula down pat, leaning right into the family theme, which was always there, but now is used to spark motivations. Adding a long lost brother and dad killed by a fiery car wreck are both eye-rollingly obvious additions, but by this point, what were we even expecting?

But just when you think a series should be suffering from fatigue and it could not possibly thrill its audience any further, it goes ahead and adds in surprise after surprise. The first action sequence is so pulse poundingly exciting that it plays out as the climax and then still manages to top it later on. Having Justin Lin back in the directors seat is a genius move, he has a firm handle on this series.

The only thing the makers seem to struggle with is how to handle Paul Walker’s character Brian, who is alive and still part of the story despite the actor having died. This makes for some awkward scripting that the writers haven’t worked out yet. Where are everyone’s kids now when they are globe trotting, pulverising bad guys and flying cars over canyons? Oh, they get dropped off at Brian’s place now, as we learn in a throwaway line.

Apparently his conflict on deciding between crime fighter and family man were far easier to resolve than Torreto, who struggles with it for roughly 5 screen minutes.

We all giggle (ok, I cackled for 2.5 hours) at the family themed speeches and monologues, the melodramatic stare downs, chest puffing and Diesel squeezing out the occasional tear, but without these elements, which are actually part of the charm, there would be no heart or soul to any of the car carnage.

Even relative newcomers to all this ridiculous chaos, Helen Mirren and Charlize Theron (who is splendid in her best Hannibal Lecter impression), are in on the gag. If they get it, surely we can too.